Boalch-Mould Online

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Full Bibliographic Data

‘Anzeige.’ Musikalische Real-Zeitung, No.19, 5 November 1788.

‘Décret Concernant la Liquidation et le Remboursement de la dette de l’État’. Procès-verbal de l'Assemblée nationale. Paris, Chez Baudouin, imprimeur de l’Assemblée nationale. Vol.55, 11–18 May 1791.

‘Décret Concernant la Liquidation et le Remboursement de la dette de l’État’. Procès-verbal de l'Assemblée nationale. Paris, Chez Baudouin, imprimeur de l’Assemblée nationale. Vol.58, 1–11 June 1791.

‘Geschichte der üblichsten Instrumente.’ Berlinische Musikalische Zeitung, Vol.25, 27 July 1793.

‘Henry VIII: Privy Purse Expences’. Letters and Papers, Foreign and Domestic, Henry VIII, Volume 5, 1531–1532, ed. James Gairdner. London, Her Majesty’s Stationery Office, 1880.

‘Inquisitions: 1593–4’, in Abstracts of Inquisitions Post Morten for the City of London: Part 3, ed. E. A. Fry. London, British Record Society, 1908, pp.171–219.

‘Inventarium instrumentorum musicorum in anno 1589’. Württembergische Vierteljahrshefte für Landegeschichte. Vol.21, 1912, pp.133–37.

‘Lettre du sieur Heintzler, facteur de clavecin, à L’Ami du peuple’. L’Ami du peuple, ou le Publiciste parisien, 18 November 1790, pp.5–8.

‘Payment to Musicians in 1632’. The Musical Antiquary, Vol.3, 1912.

‘Sale Room Note & Prices’, Apollo, Vol.51, issue 301, March 1950, pp.89–92.

‘Seddon, George snr (1753–1801)’. British and Irish Furniture Makers Online.

‘Tableau des exécrations commises contre le sieur Heintzler par une foule d’agens de l’ancien régime, et notamment par le sieur Fontaine, commissaire de police’.  L’Ami du peuple, ou le Publiciste parisien, 5 November 1790, pp.2–8.

‘Von einem geschickten Nürnbergischen Orgel- und Instrumentenmacher. Johann Jacob Botechtel ...’. Journal von und für Franken, Vol.2, issue 3, Nuremberg, 1791.

‘Von einem neuen Lauten-Clavessin und Theorben-flügel mit Darmsaiten: nebst einigen andern musicalischen Erfindungen.’ Sammlung van Natur- und Medicin- wie auch hierzu gehörigen Kunst- und Literatur-Geschichten. Winter Quartal 1718, Breslau, Michael Hubert, 1719.

RussColl 1986

A Brief Guide to the Russell Collection of Harpsichords and Clavichords. Edinburgh, The Friends of St. Cecilia's Hall, 1981; Revised and reprinted 1986.

A Catalogue of a Valuable Collection of Pictures, Drawings, Miniatures … a fine-toned harpsichord and other musical instruments of Mr. Jamer (sic) Scouler. Auction Catalogue, 1797.

BFCat

A Catalogue of Early Keyboard Instruments. The Benton Fletcher Collection at Fenton House. National Trust, 1986. This is the 1957 catalogue, revised by Trevor Pinnock and Andrew Garrett in 1976, reprinted with further revisions by Andrew Garrett in 1981, and by Mimi Waitzman in 1986 and 2003.

A catalogue of the large and valuable library of books, lately belonging to the learned and ingenious antiquarian, Mr. Nicola Haym: To be sold by auction, on Monday the 9th of March 1729–30, at Mr. Cock’s auction-room in Poland-Street. A copy is held at Cambridge University Library, West Road, Cambridge.

CKI

A Century of Keyboard Instruments 1760–1860. Catalogue of the exhibition at the Fitzwilliam Museum, Cambridge, 5 July-31 August 1983. Edited by Alec Cobbe.

Smithcheck89

A Checklist of the Harpsichords and Clavichords in the Smithsonian Institution, Washington.

A Directory for Edinburgh Leith Mussleburgh and Dalkeith 1794 to 1795. Edinburgh, Thomas Aitchison, 1794.

A Survey of the Cities of London and Westminster. London, ?1733.

Aanstad, Odd. ‘Two Unusual Clavichords.’ The Galpin Society Journal, Vol.43, 1990, pp.147–50.

Abondance

Abondance, Florence. Restauration des Instruments de Mysique. Fribourg, Office du Livre, 1981.

Acker, Anne Beetem. ‘Collesse, Joseph’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.1, pp.659–60.

Acker, Anne Beetem. ‘Player, John’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.4, pp.135–36.

Acker, Anne Beetem. ‘Vaudry’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.5, p.171. 

ActaMus

Acta Musicologica (Internationale Gesellschaft für Musikwissenschaft). Leipzig, 1928– .

Acts of the Privy Council of England Volume 3, 1550–1552. London, Her Majesty’s Stationery Office, 1891.

Adelson, Robert, et al editors. The History of the Erard Piano and Harp in Letters and Documents, 1785–1959. Volume 1: Inventions, Business, Composers and Performers. Cambridge, Cambridge University Press, 2015.

Adlam, Derek. ‘Restoring the Vaudry.’ Early Music, Vol.4, no.3, July 1976, pp.255–65.

AdlP

Adlam, Derek. Private communication

AdlG

Adlung, Jacob. Anleitung zur der musikalischen Gelahrtheit. Erfurt, Jungnicol, 1758; 2nd edition, 1783. Reprint edited by Hans J. Mooser, Kassel, Bärenreiter-Verlag, 1958.

Adl

Adlung, Jacob. Musica mechanica organoedi / Musical Mechanics for the Organist. Berlin, F. W. Birnstiel, 1768. Edited by Johann Lorenz Albrecht, with commentary by Johann Friedrich Agricola. English translation by Quentin Faulkner. Lincoln, Nebraska, Zea E-Books, 2011.

ShAf

Affidavit sworn on 12 January 1767 by three of Shudi's apprentices, Clark, Nixon, and Broadwood, before G. Wrighte, Mddx. MS. among Broadwood papers. (Cited in extenso by Russell1959, p. 169.)

Agtevelt, Seger van. ‘Vergunning van W. Deckens te Utrecht tot het tentoonstellen van zeker muziekinstrument, ontleend aan het oud gemeente-archief van Utrecht’ / ‘Permit of W. Deckens in Utrecht to exhibit certain musical instruments, taken from the old municipal archives of Utrecht’. Tijdschrift der Vereeniging voor Noord-Nederlands Muziekgeschiedenis, Vol.4, no.1, 1892, p.54.

Agulló y Cobo, Mercedes. ‘Nuevos documentos para las biografías de músicos de los siglos XVI y XVII (Continuación)’. Anuarío Musical, Vols.28–29, 1973–74, pp.269–82.

Ahrens, Christian. ‘Das Fortepiano’. Vom Versuch zur Schöpfung. Clavichord und Fortepiano in Deutschland 1750–1800. Musikinstrumentenausstellung. Katalog, 14. Tage Alter Musik in Herne. Edited by Joachim Hengelhaupt and Christian Ahrens. Köln, 1989.

Ahrens, Christian. ‘Nochmals: Zur Frühgeschichte des Hammerklaviers.’ Beiträge zur Musikwissenschaft, Vol.31, no.1, 1989, p.64.

Ahrens, Christian. ‘Organbuilders and the Making of Stringed Keyboard Instruments: A Wintery Sideline?’ Clavichord International, Vol.20, no.2, November 2016, pp.50–56.

Ahrens, Christian. ‘The Inventory of the Gotha Court Orchestra in 1750’, The Galpin Society Journal, Vol.60, 2007, pp.37–44.

Aitchison, Thomas. A Directory for Edinburgh Leith Mussleburgh and Dalkeith 1794 to 1795. Edinburgh, Thomas Aitchison, 1794.

Alb

Albarda, Jan H. Wood, Wire and Quill: an introduction to the harpsichord. Toronto, Coach House Press, 1968.

Albonesi, Ambrogio Theseo degli. Introductio in chaldaicam linguam, syriacam atque armenicam, et decem alias linguas. Pavia, 1539. Reproduced in Carlo dell’Acqua, Lorenzo Gusnasco e i Lingiardi da Pavia. Milan, 1886.

Alkmaarsche Courant, 8 September 1817.

Allsop, Peter C., and Lindorff, Joyce. ‘Teodorico Pedrini: The Music and Letters of an 18^th-century Missionary in China’. Vincentian Heritage Journal, Vol.27, issue 2, 2008, pp.43–59.

AlmDauph

Almanach Dauphin, ou Tablettes royales du vrai mérite des artistes célèbres et d'indication générale des principaux marchands, banquiers, négocians, artistes et fabricans des six-corps, arts et métiers de la ville … de Paris & autres villes commerçantes du royaume ... Presenté & dédié à Monseigneur le Dauphin, pour la prmière fois, en 1772. Paris, 1777.

Almanach général des marchands, négocians. Paris, 1779.

Almanach Musical. Paris, 1783.

AM Jahrbuch

Altonaer Museum in Hamburg, Jahrbuch. Gerhard Wietek, ed. Gerhard Kaufmann, Vols. 1-18/19, Hamburg, 1963-83.

Anderson, R. Dean. ‘Michel Corrette and the Stringing, Scaling, and Pitch of French Harpsichords’. Early Keyboard Journal, Vol.21, 2003, pp.65–84.

AM

Annuario Musical. Madrid.

Anonymous, ‘Mr. Hipkins’s Lecture on “The Old Claviers”’. The Musical Times and Singing Class Circular, Vol.31, no.574, 1 December 1890, pp.719–22.

Anonymous. ‘The Account-Book of a Dublin Harpsichord Maker, Ferdinand Weber, 1764 to 1783’. The Musical Times, Vol.56, issue 868, June 1915, p.363.

Anonymous. ‘Von einem geschickten Nürnbergischen Orgel- und Instrumentenmacher. Johann Jacob Botechtel’. Journal von und für Franken, Vol. 2, issue 3, Nuremberg, 1791, columns 307–8.

Anonymous. ‘William Treasorer’. The Musical Antiquary, 1911–12, Vol.3, pp.103–6.

Anselm, Alain and Marie-Christine. ‘Les deux clavecins signés <Joseph Collesse>, 1768 et 1775’. Musique-Images-Instruments, Vol.4, 2000, pp.79–93.

Antegnati

Antegnati, Costanzo. L'arte Organica. Venice, 1608. Reprint Mainz, 1938, 2nd edn., 1958.

Anthon, Carl G. ‘An Unusual Harpsichord.’ The Galpin Society Journal, Vol.37, 1984, pp.115–16.

AS-Firenze

Antichi Strumenti dalla raccolta dei Medici e dei Lorena alia formazione del Museo del Conservatorio di Firenze, 3rd edn. Florence, Conservatorio di Musica Luigi Cherubini, Palazzo Vecchio, 1981.

Antichi Strumenti Musicali. Catalogo del fondo musicale del Museo Civico di Storia e Arte Medievale e Moderna di Modena. Modena, Mucchi Editore, 1982.

ASM

Antichi Strumenti Musicali. Catalogo del fondo musicale del Museo Civico di Storia e Arte Medievale e Moderna di Modena. Modena, Mucchi Editore, 1982.

Florence

Antichi Strumenti. Catalogue of the Collezioni di Medici e dei Lorena, Conservatorio di Musica Luigi Cherubini, Palazzo Vecchio, Florence. Giunti-Barbera, Florence, 1981.

AntVle

Antwerp, Oudheidkundige Musea Vleeshuis, Catalogus, V and V bis: Muziekinstrumenten. Antwerp, 1956, 1967.

Apprenticeship Disputes in the Lord Mayor’s Court of London, 1573–1723. Edited by Michael Scott. London, British Record Society, 2016.

Archer, Ian W. The History of the Haberdashers’ Company. Chichester, Phillimore & Co. Ltd, 1991.

ArchfM

Archiv für Musikforschung. Berlin, 1936-43. (Continuation of ZfM.)

AHN

Archive Histórico Nacional. Madrid

AP

Archivo del Palacio Real (Madrid). Madrid.

AHPM

Archivo Histórico de Protocolos de Madrid. Madrid.

AMS

Archivo Municipal de Sevilla. Seville.

Armstr

Armstrong, William H. Organs for America: the life and work of David Tannenberg. Philadelphia, University of Pennsylvania Press, 1968.

Arnold, John. The Compleat Psalmodist: or the Organist’s, Paris-Clerk’s and Psalm-Singer’s Companion. London, 1761.

Ashbee, Andrew. Records of English Court Music, Volume I (1660–85). Calendared and edited by Andrew Ashbee. Snodland, Ashbee, c1986.

Ashbee, Andrew. Records of English Court Music, Volume IV (1603–1625). Calendared and edited by Andrew Ashbee. Snodland, Andrew Ashbee, 1991.

Munich 1951

Ausstellung Alte Musik: Instrumente, Noten und Dokumente aus drei Jahrhunderten. Katalog [by Alfons Ott]. Munich, Max Hieber, 1951.

Bruges

Awouters, M., De Keyser, I., & Vandenberghe, S. Gruuthusemuseum Brugge. Catalogus van de muziekinstrumenten. Bruges, 1985. (120 pp., illustrated.)

Awouters, Mia. ‘An Early Keyboard Instrument by Raymundo Truchado: an Authentic Inscription, a Doubtful Instrument’. Five Centuries of Spanish Keyboard Music: Proceedings of the FIMTE Symposia 2002–2004, ed. Luisa Morales. Almería, Asociación Cultural LEAL, 2007, pp.219–30.

BJ

Bach Jahrbuch. Leipzig, 1904- .

Bach, Carl Phillip Emanuel. Versuch über die wahre Art das Clavier zu spielen. Berlin, 1762.

Badura-Skoda, Paul. Interpreting Bach at the Keyboard. Oxford, Clarendon Press, 1993.

Bailey, William. Bailey’s Western and Midland Directory; or, Merchant’s and Tradesman’s Useful Companion, for the Year, 1783. Birmingham, Pearson and Rollason, [1782].

Baines, Anthony C. ‘Two Cassel Inventories.’ The Galpin Society Journal, Vol.4, 1951, pp.30–38.

Chandos

Baker, Charles Henry Collins. The Life and Circumstances of James Brydges, First Duke of Chandos, Patron of the Liberal Arts. Oxford, Clarendon Press, 1949. For a transcription of the 1720 inventory of the Duke of Chandos’s instruments see pp.139–40.

Baladrón Barrero, José Maria, and De Graaf, Gerard A. C. El órgano de Santa Marina la Real de León y la familia Echavarría, organeros del Rey. León, Universidad de León, 2004.

Baldwin, Mike. Harp Making in Late-Georgian London. London, Bright Light, 2020.

Bamford, Francis. ‘A Dictionary of Edinburgh Wrights and Furniture Makers, 1660–1840’. Furniture History, Vol.19, 1983, pp.1–137.

Bamford, Francis. A Dictionary of Edinburgh Wrights and Furniture Makers, 1660–1840. London, Furniture History Society, 1983.

Banchieri, Adriano. Conclusione nel suono dell’organo. Bologna, 1609.

Bank of England. The Names and Descriptions of the Proprietors of Unclaimed Dividends on Bank Stock. London, 1791.

Banks

Banks, Margaret Downie. Private communication.

Barbieri, Francisco Asenjo. Biografías y Documentos sobre Música y Músicos Españoles (Legado Barbieri), edited by Emilio Casares. Madrid, Fundación Banco Exterior, 1986.

Barbieri, Patrizio, and Morelli, Arnaldo. ‘Regesto degli organi di Roma’. L’Organa, Vol.19, 1981, pp.63–103.

Barbieri, Patrizio. ‘Archicembalo’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.1, pp.124–25. 

Barbieri, Patrizio. ‘Cembalaro, organaro, chitarraro e fabbricatore di corde armoniche nella Polyanthea technica di Pinaroli (1718–32)’. Recercare, Vol.1, 1989, pp.123–210.

Barbieri, Patrizio. ‘Cembali enarmonici e organi negli scritti di Kircher con documenti inediti su Galeazzo Sabbatini’. Enciclopedismo in Roma barocca: Athanasius Kircher e il Museo del Collegio Romano tra Wunderkammer e museo scientifico. Edited by Maristella Casciato, Maria Grazia Ianniello and Maria Vitale. Venice, Marsilio, 1986, pp.111–28.

Barbieri, Patrizio. ‘Colonna, Fabio’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.1, pp.662–63.

Barbieri, Patrizio. ‘Giordano Riccati on the Diameters of Strings and Pipes’. The Galpin Society Journal, Vol.38, 1985, pp.20–34.

Barbieri, Patrizio. ‘Gli strumenti poliarmonici di G.B. Doni e il ripristino dell’antica musica greca (c.1630-1650).’ Analecta musicological, Vol.30, 1998, pp.79–114.

Barbieri, Patrizio. ‘Harps Versus Pianos: Parisian querelles on Tuning 1770–1830’. The Galpin Society Journal, Vol.70, 2017, pp.45–63.

Barbieri, Patrizio. ‘Harpsichords and spinets in late Baroque Rome’. Early Music, Vol.40, no.1, February 2012, pp.55–72.

Barbieri, Patrizio. ‘Il cembalo omnicordo di Francesco Nigetti in due memorie inedite di G.B. Doni (1647) e B. Bresciani (1719)’. Rivista Italiana di Musicologia, Vol.22, 1987, pp.34–113.

Barbieri, Patrizio. ‘Michele Todini’s galleria armonica: its hitherto unknown history’. Early Music, Vol.30, no.4, November 2002, pp.565–82.

Barbieri, Patrizio. ‘Roman claviorgans and “table organs with a spinetta on top”, 1567–1753’.

Barbieri, Patrizio. ‘The Sordino: The Unsuspected Early Italian Tangent Piano 1577–1722’. The Galpin Society Journal, Vol.63, 2010, pp.49–60.

Barbieri, Patrizio. ‘Todini, Michele’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.5, p.26.

Barbieri

Barbieri, Patrizio. 'Cembalaro, organaro, chittararo e fabbricatore di corde armoniche nella Polyanthea technica di Pinaroli (1718-32)', in Recercare, Vol. I, Libreria Musicale Italiana Editrice, 1989, pp. 123–210 (with summary in English).

Barnes, Alan, and Renshaw, Martin. ‘Snetzler, John’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.4, pp.547–48.

Barnes, John. ‘Boxwood Tongues and Original Leather Plectra in Eighteenth-century English Harpsichords’. The Galpin Society Journal, Vol.54, 2001, pp.10–15.

Barnes, John. ‘Haydn’s Clavichord’. De Clavicordio III.Proceedings of the III International Clavichord Symposium / Atti Del III Congresso Internazionale Sul Clavicordo. Magnano, 24–28 September 1997, ed. Bernard Brauchli, Susan Brauchli and Alberto Galazzo. Magnano, Musica Antica a Magnano, 1998, pp.227–40.

Barnes, John. ‘Reconstruction of Douwes’ Clavichord’. De Clavicordio.Proceedings of the International Clavichord Symposium / Atti del Congresso Internazionale sul Clavicordo. Magnano, 9–11 September 1993, ed. Bernard Brauchli, Susan Brauchli and Alberto Galazzo. Torino, Istituto per i Beni Musicali in Piedmonte, 1994, pp.75–79.

Barnes

Barnes, John. Private communication.

Barry, Wilson. ‘The Lodewyk Theewes claviorgan and its Position in the History of Keyboard Instruments’. Journal of the American Musical Instrument Society, Vol.16, 1990, pp.5–41.

Bartolus, Abraham. Musica mathematica. Altenburg, 1614–21.

Bateson, Mary, ed. Records of the Borough of Leicester Being a series of Extracts from the Archives of the Corporation of Leicester, 1509–1603. Cambridge, Cambridge University Press, Vol.3, 1905.

Bauer, Wilhelm A., and Deutsch, Otto Erich. Mozart Briefe und Aufzeichnungen.
Kassel, Bärenreiter. Vol.I, 1755–1776 (1962); Vol.II, 1777–1779 (1962), and Vol.III, 1780–1786 (1963).

Bavington 2012

Peter Bavington: unpublished notes and photos made during visit to Prague, April 2012

Bavington, Peter. ‘A Clavichord by Johann David Schiedmayer.’ De Clavicordio V.Proceedings of the V International Clavichord Symposium / Atti del V Congresso Internazionale sul Clavicordo. Magnano, 5–8 September 2001, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2002, pp.185–204. Appendix 2, pp.202–3, is a checklist of surviving clavichords by the Schiedmayer family.

Bavington, Peter. ‘A Maker’s Secrets Revealed: Restoration of a 1784 Clavichord by C. G. Hoffmann.’ De Clavicordio IV.Proceedings of the IV International Clavichord Symposium / Atti del IV Congresso Internazionale sul Clavicordo. Magnano, 8–11 September 1999, ed. Bernard Brauchli, Susan Brauchli and Alberto Galazzo. Magnano, Musica Antica a Magnano, 2000, pp.187–201.

Bavington, Peter. ‘An Introduction to the Chickering Early-Instrument Log-Book’ (forthcoming).

Bavington, Peter. ‘Arnold Dolmetsch’s Clavichord Making in the Years Before 1914’. De Clavicordi.o VIII: Proceedings of the VIII International Clavichord Symposium / Atti del VIII Congresso Internazionale Sul Clavicordio. Magnano, 5–8 September 2007, edited by Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2008, pp.27–43.

Bavington, Peter. ‘Clavichords made in Latin America: Updates and New Discoveries.’ De Clavicordio IX.Proceedings of the IX International Clavichord Symposium / Atti del IX Congresso Internazionale sul Clavicordo. Magnano, 16–19 September 2009, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2010, pp.11–22.

Bavington, Peter. ‘The History of the Meerbach Clavichord in the Geelvinck Music Museum, Zutphen’. Clavichord International, Vol.24, no.2, November 2020, pp.43–55.

Bavington, Peter. ‘Two Trasuntino Harpsichord Copies’. Early Music, Vol.32, no.2, May 2004, pp.345–46.

Bavington

Bavington, Peter. Private communication.

Bédard

Bédard, M. Hubert. Private communication.

Bed

Bedbrook, Gerald S. Keyboard music from the Middle Ages to the Beginnings of the Baroque. London, Macmillan, 1949.

Beeks, G. ‘Notes on the Cannons music catalogues.’ The Handel Institute Newsletter, Vol.23, no.1, 2012, pp.1–3.

Bem

Bemetzrieder, Anton. Leçons de clavecin, et principes d' harmonie. Paris, 1771. (Page 13 gives a summary account of the gradual increase in range of Ruckers harpsichords.)

Bemmann, Lothar, and Bavington, Peter. ‘Krämer’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.3, p.214.

Bemmann, Lothar. ‘An Early Nineteenth-Century Clavichord by Schmahl?’ De Clavicordio X.Proceedings of the X International Clavichord Symposium / Atti del X Congresso Internazionale sul Clavicordo. Magnano, 6–10 September 2011, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2012, pp.37–52.

Bemmann, Lothar. ‘Further to “The Harmony Died Away”. The Elusive Clavichords of Gottfried Silbermann’. Clavichord International, Vol.22, no.2, November 2018, pp.58–61.

Bemmann, Lothar. ‘Spätlese – Clavichorde’. Rundbrief der Deutschen Clavichord Societät, 37, November 2002, p.5.

Bemmann, Lothar. ‘The Earliest Surviving Signed and Dated Unfretted Clavichord’. British Clavichord Society Newsletter, 22 February 2002, p.29.

Bemmann, Lothar. ‘The Harmony Died Away: The Elusive Clavichords of Gottfried Silbermann, Part I’. Clavichord International, Vol.18, no.2, November 2014, pp.51–59.

Bemmann, Lothar. ‘The Harmony Died Away: The Elusive Clavichords of Gottfried Silbermann, Part II’. Clavichord International, Vol.19, no.1, May 2015, pp.12–19.

Bemmann, Lothar. ‘Wie Man Ein Cor Thonig Clavicortium Beziehen Sol – The Organ Maker Johannes Creutzburg (1686–1738) and his Workshop Book.’ De Clavicordio VIII.Proceedings of the VIII International Clavichord Symposium / Atti del VIII Congresso Internazionale sul Clavicordo. Magnano, 5–8 September 2007, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2008, pp.145–56.

Bemmann

Bemmann, Lothar. Private communication.

Benker-1984

Benker, Gertrud. Bürgerliches Wohnen. Städtisches Wohnkultur in Mitteleuropa von der Gotik bis zum Jugendstil. Munich, 1984.

Benoit

Benoit, Marcelle. 'L'Apprentissage chez les facteurs d'instruments de musique à Paris, 1600-1661, 1715-1774'. In Recherches sur la musique française classique, Vol. 24, Paris, Éditions A. et J. Picard, 1986.

Benton, Rita, and Milligan, Thomas. ‘Hüllmandel, Nicolas-Joseph’. The New Grove Dictionary of Music and Musicians, 2nd edn. Edited by Stanley Sadie. London, Macmillan Publishers Limited, 2001, Vol.11, pp.815–17.

Benton, Rita. ‘Hüllmandel’s Article on the Clavecin in the Encyclopédie Méthodique.’ The Galpin Society Journal, Vol.15, 1962, pp.34–44.

Benton, Rita. ‘Jean-Frederic Edelmann, a Musical Victim of the French Revolution.’ The Musical Quarterly, Vol.50, no.2, April 1964, pp.165–87.

Benton, Rita. ‘The Early Piano in the United States’. Music Libraries and Instruments, Vol.11. Papers read at the Joint Congress, Cambridge, 1959, of the International Association of Music Libraries and the Galpin Society. Edited by Unity Sherrington and Guy Oldham. London and New York, Hinrichsen Edition, 1961, pp.179–88.

Bergsagel, John. ‘Schröder, Lorentz’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.4, p.440.

Bergstrøm, Ture. ‘The Music of the C. F. Lehmann Kunstschrank at Rosenborg Castle, Copenhagen’, The Galpin Society Journal, Vol.68, 2015, pp.35–74.

Berlin, Johann Daniel. Anleitung zur Tonometri /An Introduction to the Measurement of Sound. Copenhagen and Leipzig, 1767.

Berlin, Johann Daniel. Musicaliske Elementer eller Anleedning til Forstand paa de første Ting udi Musiquen / The Elements of Music, or an Introduction to the Understanding of the Basic Principles of Music. Trondheim, 1744.

Bermudo, Juan. El libro llamadoDeclaración de instrumentos musicales. Osuna, 1555.

Ber1952

Berner, Alfred. Die Berliner Musileinstrumenten-Sammillng. Einführung mit historischen und technischen Erläuterungen. Berlin, 1952.

Ber1972

Berner, Alfred. Ein fruhes Zeugnis deutschen Cembalobaues. In Jahrbuch Preussischer Kulturbesitz, Vol. 10, 1972., pp. 296–302. (Gives information on surviving Fleischer instruments.)

Ber1950

Berner, Alfred. 'Zum Clavierbau im 17. und 18. Jahrhundert'. In Kongress-Bericht Gesellschaft für Musikforschung, Lüneberg, 1950, ed. Hans Albrecht et al., pp. 239–43.

Bertagna, Giancarlo. Arte organaria in Liguria. Genoa, Sagep, 1982.

Bertolotti, Antonino. Artisti subalpini in Roma nei secoli XV, XVI e XVII. Ricerche e studi negli Archivi romani. Mantova, Stab. Tip. Lit. Mondovi, 1884. Reprinted in Bologna, A. Forni, 1965.

Bess

Bessaraboff, N. Ancient European Musical Instruments. An organological study of. .. the L. Lindsey Mason Collection at the Museum of Fine Arts, Boston. New York, October House Inc., 1941.

Beurmann, Andreas E. ‘Iberian Discoveries: Six Spanish 17th-Century Harpsichords.’ Early Music, Vol.7, no.2, May 1999, pp.183–208.

Beurmann, Andreas, and Albrecht Schneider. ‘Acoustics and sound of the harpsichord: another case study’. Musical Acoustics, Neurocognition and Psychology of Music, edited by Rolf Bader. Frankfurt am Main, Peter Lang, 2009, pp.57–72.

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General account book of Burkat Shudi and John Broadwood covering 1771-1812. and relating not only to instruments but also to rents from property and to loans of cash. MS. bound in original eighteenth-century vellum; the lettering on the spine, partially illegible, includes '2: 4'; dimensions 19.5 x 16 cm. Bodleian MS. Eng. misc. e.663.

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General account book of Burkat Shudi and John Broadwood covering 1771 to 1785. MS. bound in modem vellum, lettered on the spine: 'Journal 1771-1785'; 39 x 10 cm. Bodleian MS. Eng. misc. b.107.

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Gennrich, J. Wanderungen durch das Museum für Kunst und Gewerbe, I–XIII, Die arbeitende Jugend. Monatsbeilage des Hamburger Echos, August 1916–August 1917.

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Gerber, Ernst Ludwig. Historisch-biogrophisches Lexicon der Tonkünstler ... 2 vols. Leipzig, J. G. Breitkopf, 1790–2; 2nd edition. 1812–14. Facsimile reprint, Graz, Akademischer Druck, 1966– .

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Gerbert, Martin. Scriptores ecclesiastici de musica sacra . . . Typis San-Blasianis, 1784. Facsimile reprint, Milan, 1931.

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Germann, Sheridan, and Guglietti, Paul. Early Keyboard Instruments: a bibliography of published works on harpsichords, clavichords, early pianos, and related instruments. NewYork, Garland Publishing Co., 1981

Germann, Sheridan, and J. Scott Odell. ‘The Jean Mari Dedeban Harpsichord of 1770’. The William A. Clark Collection. An exhibition marking the 50th Anniversary of the installation of the Clark Collection at the Corcoran Gallery of Art, Washington DC, April 26th–July 16th, 1978. Washington, DC, 1978, pp.96–104.

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Germann, Sheridan, with technical addendum by William R. Dowd. The Mietkes, the Margrave and Bach’ In Bach, Handel, Scarlatti Tercentenary Essays, ed. Peter Williams. Cambridge, Cambridge University Press, 1985.

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Germann, Sheridan. ‘Monsieur Doublet and his Confrères, the Harpsichord Decorators of Paris’. Early Music, Vol.8, no.4, October 1980, pp.435–52, and Vol.9, no.2, April 1981, pp.192–207.

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Germann, Sheridan. ‘Mrs Crawley’s Couchet Reconsidered’. Early Music, Vol.7, no.4, October 1979, pp. 473–81.

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Gierveld, Arend Jan. ‘The Harpsichord and Clavichord in the Dutch Republic’. Tijdschrift van de Vereniging Voor Nederlandse Muziekgeschiedenis, Vol.31, no.2, 1981, pp.117–66.

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Grundmann, Günther. Jenischpark. und Jenischhaus. Hamburg, 1957.

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Gurlitt, Wilibald. ‘Zum Schülerkreis des Kur-Sächsischen Hoforgelmachers Gottfried Fritzsche’, Musik und Kirche, Vol. 10, issue 4, 1938, pp.158–70.

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Gutmann, Veronika. ‘Zum Schaffen der Instrument und Orgelmacher Peter Friedrich Brosi und Johann Jacob Brosy’. Basler Jahrbuch für Historisches Musikpraxis, Vol.11, Basel, Amadeus, 1987, pp.31–61.

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Guttormsen, Sissel, Kjeldsberg, Peter Andreas, and Voigt, Jan. Ringve Museum, Trondheim. Utgitt av Ringve Museums Venner. Trondheim, 1988. (An illustrated selection of the instruments in the Ringve Museum, Trondheim, with explanatory text in Norwegian, French, German, and English.)

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Haase, Gesine, and Krickeberg, Dietrich. Tasteninstrumente des Museums: Kielklaviere, Clavichorde, Hammerklaviere. Berlin: H. Heeneman, 1981 (Staatliche Institut für Musikforschung).

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Hammond, Frederick. ‘Some Notes on Giovanni Battista Boni da Cortona, Girolamo Zenti, and Others’. The Galpin Society Journal, Vol.40, 1987, pp.37–47.

Hammond, Frederick. Music & Spectacle in Baroque Rome: Barberini Patronage under Urban VIII. New Haven and London, Yale University Press, 1994.

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Hammond, Frederick. 'Some Notes on Giovanni Battista Boni da Cortona, Girolamo Zenti, and others'. GSJ, Vol. 40, 1987, pp. 37-47.

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Handschin, Jacques. ‘Das Pedalklavier’. Zeitschrift für Musikwissenschaft, Vol.17, 1935, pp.418–25.

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Harding, Rosamond E. M. The Piano-forte: Its History Traced to the Great Exhibition of 1851. Cambridge, Cambridge University Press, 1933.

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Hardouin, Pierre J. ‘Harpsichord Making in Paris: Eighteenth Century’. The Galpin Society Journal, Vol.12, 1959, pp.73–85.

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Haxby, David, and Malden, John. Thomas Haxby (1729–1796) – An Extraordinary Musician and Musical Instrument Maker. Loughborough, Echo Press, 1978. Reprinted from York Historian, Vol.2, 1978, pp.43–55. Also reprinted in Journal of the British Institute of Organ Studies, Vol.7, 1983, pp.59–76.

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Heale, Michael. Private communication.

Hedwall, Lennart. ‘En öfwersigt af musiken inom Wermland’. Bidrag till belysningen av det sena 1700-talets svenska musikliv. Stockholm Studies in Musicology 4. Stockholm, Stockholms universitet, 1995.

Hein, Dietrich. ‘Concerning the Attribution of Five Clavichords to Johann Heinrich Silbermann’. Clavichord International, Vol.20, no.1, May 2016, pp.8–19.

Helenius, Eva, ‘The Reception of Hammer Instruments into Swedish Clavichord Culture – from Clavichord to Square Piano.’ De Clavicordio IX.Proceedings of the IX International Clavichord Symposium / Atti del IX Congresso Internazionale sul Clavicordo. Magnano, 16–19 September 2009, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2010, pp.35–57.

Helenius, Eva. ‘Aspects of the Clavichord in Sweden in the Nineteenth Century.’ De Clavicordio VII.Proceedings of the VII International Clavichord Symposium / Atti del VII Congresso Internazionale sul Clavicordo. Magnano, 7–10 September 2005, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2006, pp.45–62.

Helenius, Eva. ‘Gottfried Silbermann and the Swedish Clavichord’. De Clavicordio VIII.Proceedings of the VIII International Clavichord Symposium / Atti del VIII Congresso Internazionale sul Clavicordo. Magnano, 5–8 September 2007, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2008, pp.185–99.

Helenius, Eva. ‘Lindholm, Pehr’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.3, p.289.

Helenius, Eva. ‘The Swedish Clavichord and the Swedish Lute: Two Nationally Developed Instruments with a Repertoire in Common.’ De Clavicordio X.Proceedings of the X International Clavichord Symposium / Atti del X Congresso Internazionale sul Clavicordo. Magnano, 6–10 September 2011, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2012, pp.95–110.

Helenius-Öberg, Eva. ‘Connections between Organ Building and Keyboard Instrument Building in Sweden before 1820.’ GOArt Research Reports Volume 1. Gothenburg, GOArt publications, 1999, p.145f.

Helenius-Öberg, Eva. ‘Kyrkoherden Nils Brelin – mechanicus och klaverälskare’. Svensk Tidskrift för Musikforskning, 1987, pp.91–114.

Helenius-Öberg, Eva. ‘The Clavichord in Sweden before 1700’. De Clavicordio VI.Proceedings of the VI International Clavichord Symposium / Atti del VI Congresso Internazionale sul Clavicordo. Magnano, 10–13 September 2003, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2004, pp.93–108.

Helenius-Öberg, Eva. ‘The harpsichord in Sweden and the origin of the Swedish Clavichord.’ Svensk Tidskrift för Musikforskning, Vol.61, no.1, 1979.

Helenius-Öberg, Eva. ‘The Swedish Clavichord around 1800.’ De Clavicordio IV.Proceedings of the IV International Clavichord Symposium / Atti del IV Congresso Internazionale sul Clavicordo. Magnano, 8–11 September 1999, ed. Bernard Brauchli, Susan Brauchli and Alberto Galazzo. Magnano, Musica Antica a Magnano, 2000, pp.139–46.

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Helenius-Öberg, Eva. 'Svenskt instrumentmakeri 1728-1800. En preliminär oversikt'. Svenskt Tidskrift för Musikforskning, 1977 (with summary in English).

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Helenius-Öberg, Eva. Svenskt Klavikordbygge 1720–1820. Studier I hantverkets teori och praktik jämte instrumentens utveckling och function i Sverige under klassisk tid. Stockholm, Almqvist & Wiksell International, 1986.

Hellwig, Friedemann and Barbara. Joachim Tielke. Kunstvolle Musikinstrumente des Barock. Berlin, Munich, Deutscher Kunstverlag, 2011.

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Hellwig, Friedemann. Atlas der Profile an Tasteninstrumenten vom 16. bis zum frühen 19. Jahrhundert in Germanisches Nationalmuseum Nürnberg. Frankfurt/M., Bochinsky, 1985. 

Hemsley, J. D. C. ‘Crang & Hancock, the Eighteenth-Century London Organ-Builders’. The Galpin Society Journal, Vol.60, 2007, pp.229–32.

Hen, F. J. de. ‘The Truchado Instrument: a Geigenwerk?’ Keyboard Instruments, ed. Edwin M. Ripin. Edinburgh, Edinburgh University Press, 1971, pp.17–26.

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Henkel Hubert. 'Der Cembalobau der Bachzeit im sächsisch-ohüringischen und im Berliner Raum'. In Bericht über die Wissenschaftliche Konfrenz zum 3 International Bach-Fest der DDR ed. W. Felix, W. Hoffmann, and A. Schniederheinze, Leipzig, 1977.

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Henkel Hubert. Münchens Hammerklavierbau im 18. und frühen 19. Jahrhundert. In Wissenschaftliches Jahrbuch 1992/93, Munich, Deutsches Museum, 1992–3. (Contains information on a number of Munich piano makers, some of whom started their working lives as harpsichord makers.)

Henkel, Hubert. ‘Bartolomeo Cristofori as Harpsichord Maker’. The Historical Harpsichord. A Monograph Series in Honor of Frank Hubbard, edited by Howard Schott, Vol.3. Stuyvesant, NY, Pendragon Press, 1992, pp.1–58.

Henkel, Hubert. ‘Der Cembalobau der Bachzeit im sächsisch-thüringischen und im Berliner Raum’. Bericht über die Wissenschaftliche Konferenz zum 3 International Bach-Fest der DDR, edited by W. Felix, W. Hoffmann and A. Schniederheinze. Leipzig, 1977.

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Henkel, Hubert. Beitrage zum historischen Cembalobau, Band 2: Kielinstrumenten. Leipzig, Deutscher Verlag für Musik, 1979. (Katalog-Musikinstrumenten-Museum der Karl-Marx-Universität, Leipzig).

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Henkel, Hubert. Beitrage zur musikwissenschaftlichen Forschung in der DDR. Beitrage zum historischen Cembalobau, Band 11. Leipzig, VEB Deutscher Verlag für Musik, 1979.

Henkel, Hubert. Besaitete Tasteninstrumente: Deutsches Museum Kataloge der Sammlungen. Musikinstrumenten-Sammlung. Frankfurt am Main, Bochinsky, 1994.

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Henkel, Hubert. Clavichorde. Musikinstrumenten-Museum der Karl-Marx-Universität Leipzig. Catalogue, Vol.4. Leipzig, VEB Deutscher Verlag für Musik, 1981.

Henkel, Hubert. Lexikon deutscher Klavierbauer. Frankfurt/M., Bochinsky, 2000.

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Henkel, Hubert. 'Zur Bestimmung der Nationalität unsignierte Kielinstrumente auf Grund der Mensurlaüfe'. In Schriftenreihe des Musikinstrumenten—Museums der Karl-Marx-Universität, Vol. 3, 1976, pp. 14-23.

Henning, Uta. ‘Clavichord Reception in Russia: With Special Reference to the Bach Family’. De Clavicordio VII.Proceedings of the VII International Clavichord Symposium / Atti del VII Congresso Internazionale sul Clavicordo. Magnano, 7–10 September 2005, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2006, pp.11–16.

Henning, Uta. ‘The Most Beautiful among the Claviers: Rudolf Richter’s Reconstruction of a Baroque Lute-Harpsichord’. Early Music, Vol.10, no.4, October 1982, pp.477–86.

Hermann, Heinrich. Die Regensburger Klavierbaur Späth und Schmahl und ihr Tangentenflügel. Erlangen, Döres, 1928.

Hermert, Andreas. ‘A Seventeenth-Century Clavichord from Poland’. De Clavicordio VI.Proceedings of the VI International Clavichord Symposium / Atti del VI Congresso Internazionale sul Clavicordo. Magnano, 10–13 September 2003, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2004, pp.121–29.

Hermert, Andreas. ‘Drei bundfreie Clavichorde aus dem 18. Jahrhundert im Kloster Marienthal/Ostritz’. Fundament aller Clavirten Instrumenten: Das Clavichord: Symposium im Rahmen der 26. Tage Alter Musik in Herne 2001. Edited by Christian Ahrens and Gregor Klinke. Munich and Salzburg, Musikverlag Katzbichler, 2003, pp.89–99.

Hermert, Andreas. ‘The Restoration of a Clavichord by J.W. Grüneberg’. Clavichord International, Vol.21, no.1, May 2017, pp.11–17.

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Herrmann, Heinrich. Die Regensburger Klavierbauer Späth und Schmahl und ihr Tangentenflügel. Erlangen, Döres, 1928.

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Herzog, Hans Kurt. Piano-nummern deutscher; europäischer und überseeischer Instrumente: Klaviere, Flügel, Cembali, Harmonien. (piano serial numbers of German, European and Foreign Uprights, Grands, Harpsichords, Harmoniums), 6th edn. Schriftreihe Das Musikinstrument, 2. Frankfurt am Main, Bochinsky, 1984. Verlag Das Musikinstrument, 1981— . (text in English, French, German, Italian, and Swedish.)

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Heyde, Herbert. Historische Musikinstrumente des Händel-Hauses. Halle an der Saale, 1983.

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Heyde, Herbert. Historische Musikinstrumente im Bachhaus zu Eisenach. Eisenach, 1976.

Heyde, Herbert. Musikinstrumentenbau in Preussen. Tutzing, Schneider, 1994.

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Hiller, Johann Adam. Lebensbeschreibungen berühmter Musikgelehrten und Tonkünstler … Leipzig, Dykische Buchhandlung, 1784.

Hiller, Johann Adam. Musikalische Nachrichten und Anmerkungen. Leipzig, 1770.

Hintermaier, Ernst. ‘Die Salzbuger Hofkapelle von 1700 bis 1806: Organisation und Personal’. PhD Dissertation, University of Salzburg, 1972.

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Mobbs, Kenneth, and Mackenzie of Ord, Alexander. ‘The “Machine Stop” and its Potential on Full-Specification One-Manual Harpsichords made by Thomas Culliford in 1785’. The Galpin Society Journal, Vol.47, 1994, pp.33–46.

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Mole, Peter Geoffrey. ‘The English Spinet with particular reference to the Schools of Keene and Hitchcock.’ PhD thesis, The University of Edinburgh, 2009.

Mole, Peter, ‘The Bentside Spinets of Stephen Keene and His School’. Journal of the American Musical Instrument Society, Vol.34, 2008, pp.5–25.

Mole, Peter. ‘Further Thoughts about Hitchcock Spinets’, The Galpin Society Journal, Vol.63, 2010, pp.246–48.

Mole, Peter. ‘On the Trail of Purcell’s Spinet’. Early Music, Vol.36, no.3, August 2008, pp.409–14.

Mole, Peter. ‘The Hitchcock Spinet Makers – a New Analysis’, The Galpin Society Journal, Vol.60, 2007, pp.45–61.

Mole, Peter. ‘Two Spinets from the Collection of Viscount Leverhulme’. The Galpin Society Journal, Vol.61, 2008, pp.325–31.

Møller, Dorthe Falcon. ‘Magnus Christensen, A Danish Builder of Clavichords from the Mid-Eighteenth Century.’ De Clavicordio VI.Proceedings of the VI International Clavichord Symposium / Atti del VI Congresso Internazionale sul Clavicordo. Magnano, 10–13 September 2003, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2004, pp.83–91.

Møller, Dorthe Falcon. ‘The Clavichord in Denmark – Builders and Instruments.’ De Clavicordio V.Proceedings of the V International Clavichord Symposium / Atti del V Congresso Internazionale sul Clavicordo. Magnano, 5–8 September 2001, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2002, pp.239–48.

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Montanari, Giuliana. ‘Florentine Claviorgans (1492–1900)’. The Galpin Society Journal, Vol.58, 2005, pp.238–59.

Montanari, Giuliana. ‘The Keyboard Instrument Collection of Grand Prince Ferdinando De’ Medici at the Time of Alessandro and Domenico Scarlatti’s Journeys to Florence, 1702–1705.’ Domenico Scarlatti in Spain. Proceedings of FIMTE Symposia 2006–2007, ed. Luisa Morales. Almería, Asociación Cultural LEAL, 2009, pp.117–41.

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Mould, Charles, Mole, Peter, and Strange, Thomas. Jacob Kirkman, Harpsichord Maker to Her Majesty. Raleigh, Lulu Press Inc., 2016.

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Mück, Wolfgang. Johann Christoph Georg Schiedmayer (1740–1820): Schreinermeister, Orgel- und Instrumentmacher in Neustadt an der Aisch. Neustadt an der Aisch, Geschichts- und Heimatsverein, 2001.

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Müller, Mette. Copenhagen. Private communication.

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Musée Rétrospectif de la Classe 17: Instruments de Musique. Matériel, Procédés et Produits à l’Exposition Universelle Internationale de 1900, à Paris: Rapport du Comité d’Installation. Paris: A. Eyméoud, ?1900.

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MKG-H/B

Museum für Kunst und Gewerbe, Hamburg, Handbuch. Hamburg, 1980.

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Museum für Kunst und Gewerbe, Hamburg. Bildführer 3. Ausgewählte Werke aus den Erwerbungen 1962–1971. Festgabe für Lise Lotte Möller zu ihrem 60. Geburtstag am 18 November 1972. Hamburg, 1972.

MFA(Koster)

Museum of Fine Arts, Boston, Mass. John Koster, private communications concerning the collection.

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MMCC

Musikhistorisk Museum & Carl Claudius Collection. Data sheets on instruments in the collection kindly provided by Mette Müller, Director of the Musikhistorisk Museum and Carl Claudius Collection, Copenhagen, 1989.

SLMZ

Musikinstrumente der Schweiz-Instruments de Musique de Suisse, Ausstellungs-Katalog Kornhaus Burgdorf—Schweizerisches Landesmuseum Zürich—Musée gruérin Bulle. Schweizerisches Musikforschende Gesellschaft, Musikwissenschaftliches Seminar der Universität Zürich.

Muzio Clementi and British Musical Culture. Sources, Performance Practice and Style. Edited by Luca Lévi Sala and Rohan Stewart-MacDonald. Ashgate Historical Keyboard Series. Oxford and New York, Routledge, 2019.

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Naish

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Neupert, Hanns. Das Klavichord. Kassel, Bärenreiter, 1948. English translation of 2nd edn. by Ann Feldberg: The Clavichord. Kassel, Bärenreiter, 1965.

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AMIS-NEWS

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Nex, Jenny, and Whitehead, Lance. ‘A Copy of Ferdinand Weber’s Account Book’, The Royal Musicological Association Research Chronicle, Vol.33, 2000, pp.89–150.

Nex, Jenny, and Whitehead, Lance. ‘A Preliminary Investigation into the Stringing of Swedish Clavichords’. De Clavicordio IV.Proceedings of the IV International Clavichord Symposium / Atti del IV Congresso Internazionale sul Clavicordo. Magnano, 8–11 September 1999, ed. Bernard Brauchli, Susan Brauchli and Alberto Galazzo. Magnano, Musica Antica a Magnano, 2000, pp.147–60.

Nex, Jenny, and Whitehead, Lance. ‘Musical Instrument Making in Georgian London, 1753–1809: Evidence from the Proceedings of the Old Bailey and Middlesex Sessions of the Peace’, Eighteenth-century Music, 2/2, 2005, pp.251–71.

Nex, Jenny, and Whitehead, Lance. ‘The Six Early Clavichords of Arnold Dolmetsch: Their Construction and Inspiration’. The Galpin Society Journal, Vol.53, 2000, pp.274–300.

Nex, Jenny, and Whitehead, Lance. ‘The Stringed Keyboard Instruments of Ferdinand Weber’, Aspects of Harpsichord Making in the British Isles, Historical Harpsichord No.5, edited by John Koster. Hillsdale, NY, Pendragon Press, 2009, pp.116–53.

Nex, Jenny, and Whitehead, Lance. ‘Three Eighteenth-Century Schools of Clavichord Building: A Comparative Study.’ De Clavicordio V.Proceedings of the V International Clavichord Symposium / Atti del V Congresso Internazionale sul Clavicordo. Magnano, 5–8 September 2001, ed. Bernard Brauchli, Alberto Galazzo and Ivan Moody. Magnano, Musica Antica a Magnano, 2002, pp.205–37.

Nex, Jenny. ‘“A Batchelor and a Bastard Deceased”: Charles Pinto and the Business of making English Guittars in Late 18^th-century London.’ Conference paper presented at the 18^th-century Music in Britain Conference, London, 28 November 2012.

Nex, Jenny. ‘Culliford and Company: Keyboard Instrument Makers in Georgian London’. Early Keyboard Journal, Vol.22, 2004, pp.7–48.

Nex, Jenny. ‘Longman & Broderip’. The Music Trade in Georgian London, edited by Michael Kassler. Farnham and Burlington, VT, Ashgate Publishing Company, 2011, pp.9–93. 

Nex, Jenny. ‘The Business of Musical-Instrument Making in Early Industrial London’, PhD Thesis, University of London, 2013.

Nex, Jenny. ‘Women in the Musical Instrument Trade in London, 1750–1810’. Instrumental Music and the Industrial Revolution. Edited by Roberto Illiano and Luca Sala. Ad Parnassum Studies 5. Bologna, Ut Orpheus Edizioni S.r.l., 2010, pp.329–59.

Nicolas, Nicholas Harris. The Privy Purse Expenses of King Henry the Eighth from November MDXXIX, to December MDXXXII: with introductory remarks and illustrative notes. London, William Pickering, 1827.

Nirrnheim, Hans. ‘Zur Geschichte des Musikinstrumentenbaues in Hamburg’. Mittheilungen des Vereins für Hamburgische Geschichte, Vol.19, 1898/99. Hamburg, 1900, pp.129–41.

Nisoli, Michele. ‘Bartolomeo Cristofori a Padova elementi biografici sugli anni della formazione’. Philomusica on-line, Vol.14, 2015, pp.225–42.

Nobbs

Nobbs, Christopher. Private communication.

Nocerino, Francesco, ‘Mucciardi’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.3, p.523.

Nocerino, Francesco. ‘Arte cembalaria a Napoli. Documenti e notizie su costruttori e strumenti napoletani’. Ricerche sul ’600 Napoletano, Saggi e documenti 1996–1997. Naples, Electa Napoli, 1998, pp.85–109.

Nocerino, Francesco. ‘Cembalari e Napoli nel Cinquecento. Nuove fonti e inediti documenti’. Recercare, Vol.15, 2003, pp.173–88.

Nocerino, Francesco. ‘Evidence for Italian mother-and-child virginals: an important document signed by Onofrio Guarracino’. The Galpin Society Journal, Vol.53, 2000, pp.317–21.

Nocerino, Francesco. ‘Fabri, Alesandro’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.2, p.251.

Nocerino, Francesco. ‘Napoli centro di produzione cembalaria alla luce delle recenti ricerche archivistiche’. Fonti d’archivo per la storia della musica e dello spettacolo a Napoli tra il XVI e XVIII secolo. Edited by Paologiovanni Maione. Naples, Editoriale Scientifica, 2001, pp.205–26.

Nocerino, Francesco. ‘Sabbatino’. The Grove Dictionary of Musical Instruments, 2nd edn. Laurence Libin, editor in chief. Oxford, Oxford University Press, 2014, Vol.4, p.362.

Nocerino, Francesco. ‘The “Regole di Marancio”: New Documents on the Clavichord’. De Clavicordio X.Proceedings of the X International Clavichord Symposium / Atti del X Congresso Internazionale sul Clavicordo. Magnano, 6–10 September 2011, ed. Bernard Brauchli, Alberto Galazzo and Judith Wardman. Magnano, Musica Antica a Magnano, 2012, pp.179–90.

Nordenfelt-Åberg, Eva. ‘The Harpsichord in 18th-Century Sweden.’ Early Music, Vol.9, no.1, January 1981, pp.47–54.

Nord

Nordstrom, Kaj. Private communication.

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Norlind, Tobias. Systematik der Saiteninstrumente (Musikhistorisches Museum, Stockholm). Vol.2: Geschichte des Klaviers. Hanover, Albert Küster, 1939.

Nourse, Nicholas. ‘Musical Migrations: the Origins of the Portable Street Barrel Piano’. The Galpin Society Journal, Vol.67, 2014, pp.49–57.

O’Brien, Grant, and Nocerino, Francesco. ‘The Tiorbino: an unrecognised instrument type built by harpsichord makers with possible evidence for a surviving instrument’. The Galpin Society Journal, Vol.58, 2005, pp.184–208.

O’Brien, Grant, Ehricht, Stefan, and Rieche, Christiane. ‘The Original State and Later Alterations of the Double-Manual Ruckers Harpsichord, Antwerp, 1599’. Kielinstrumente aus der Werkstatt Ruckers zu Konzeption, Bausweise und Ravalement sowie Restaurierung und Konservierung. Bericht über die Internationale Konferenz vom 13. bis 15. September 1996 Im Händel-Haus Halle. Halle, Händel-Haus, 1998, pp.87–230.

O’Brien, Grant. ‘A New Organological Approach Used in the Analysis of the Nuremberg Virginal Attributed to Gianfrancesco Antegnati, Brescia, c1558’. The Galpin Society Journal, Vol.72, 2019, pp.23–49, and pp.138–39.

O’Brien, Grant. ‘An Analysis of the Origins of a Large Franco-Flemish Harpsichord. Would a Ruckers by any Other Name Sound as Sweet?’ Early Keyboard Journal, Vol.20, 2005, pp.49–80.

O’Brien, Grant. ‘Bartolomeo Cristofori/Giovanni Ferrini: two Florentine restorers and re-builders. A Neapolitan connection between Cristofori and Ferrini in two Italian harpsichords in Britain’. Paper presented at the Galpin Society Conference, Edinburgh, July 1997. Available on the author’s website, <claviantica.com>

O'Brien-I&AR

O’Brien, Grant. ‘Ioannes and Andreas Ruckers: a quatercentenary celebration’. Early Music, Vol.7, no.4, October 1979, pp.453–66.

O’Brien, Grant. ‘Italian stringed keyboard instruments and simple geometry: Some new developments at the Russell Collection of Early Keyboard Instruments’. Paper presented at the Galpin Society Conference, Edinburgh, July 1999, available at the author’s website <http://claviantica.com/Publications.html>

O’Brien, Grant. ‘Marco Jadra. A Venetian harpsichord and virginal builder?’ Festschrift für Kurt Wittmayer, edited by Silke Berdux. Munich, 1999.

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Szulc

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Tag

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Tagliavini, Luigi Ferdinando, and Van der Meer, John Henry. Clavicembali e Spinette dal XVI al XIX Secolo. Bologna, Cassa di Risparmio, 1986.

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Tag-Goc

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Tag-Ferr

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Tarrini, Maurizio. ‘The Depiction of Harpsichords in the Early Sixteenth-Century Choir Stalls of Savona and Genoa Cathedral.’ The Galpin Society Journal, Vol.74, 2021, pp.7–15, 222–23.

Tarrini, Maurizio. ‘Un cembalo di Tommaso I Roccatagliata (1686) in una descrizione del 1879’. L’organo, Vol.30, 1996, pp.277–82.

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Teahan

Teahan, John. ‘A List of Irish Instrument Makers’. The Galpin Society Journal, Vol.16, 1963, pp.28–32.

Tenerani, Ottaviano. ‘Lo spinettone firmato Giovanni Ferrini dell’Accademia Internazionale Giuseppe Gherardeschi di Pistoia.’ Il cembalo a martelli da Bartolomeo Cristofori a Giovanni Ferrini, Atti del convegno internazionale di Organologia in ricordo di Luigi Ferdinando Tagliavini (Bologna, Museo di San Colombano, Collezione Tagliavini, 2017). Edited by Giovanni Paolo Di Stefano and Michael Latcham. Bologna, Pendragon, 2019, pp.117–28.

Textes

Textes sur les instruments de musique au XVIIIème siècle. Reprint, Minkoff, 1972 (7 vols in 1).